В Женеве Мария преподавала в частных
школах русским эмигрантам, а ее муж давал концерты на скрипке. Вскоре у них
родились дети: Александр и Мария. Муж Нагловской был убежденным сионистом и
лично знал Теодора Герцеля. Поэтому двое старших детей (Александр и Мария,
получившая также имя Эстер) были воспитаны в иудаистской традиции. Нагловская
несколько раз ездила в Россию, пытаясь помириться со своими родственниками, но
это ей не удалось. Вскоре ее муж уехал в Палестину, где, по протекции
друзей-сионистов, был назначен руководителем консерватории. Уже после отъезда
мужа, у Нагловской родился сын Андрей. Поссорившись с супругом, Мария не
захотела давать и этому своему ребенку еврейского воспитания. Это стало поводом
для многих конфликтов, но позднее, во время второй мировой войны, позволило
Андрею избежать депортации.
http://www.oto.ru/cgi-bin/article.pl?articles/biography-mag/12-naglowska.txt
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The Shulamit Conservatory (1910)
http://www.ronshulamit.org.il/history.html
The beginning of professional musical education in Israel is in
great measure the product of the efforts of Shulamit Ruppin, who acquired
donations and established Israel's first music conservatory. 
This institution opened its doors in Jaffa in 1910, and counted
among its faculty a number of professional musicians who were invited from
Europe expressly to teach there. At the head of the institution (which changed
its name to the Shulamit Conservatory after
Shulamit Ruppin's untimely death) was the violinist Moshe Hopenko, of Geneva.
The first group of students numbered 75, 30 of whom had been sent from Europe by
their parents especially to study at the institution. The conservatory enjoyed
immense popularity in pre-state Israel, and student concerts, even the
end-of-year playing evaluations, became major social and cultural attractions in
Jaffa. The school's concerts filled a void for the many immigrants who had been
accustomed to attending classical music performances in Europe, and who had
forgone this pleasure for the daily toil of living in a Mideastern port town.
Before long, the conservatory moved to the new, adjacent, town of Tel Aviv that
was being built on the sands, and became deeply entrenched in the life of the
local community.
During this period Tel Aviv had 1,800 residents, and 37% of its
children studied music at the conservatory. This amazingly high percentage
remained stable until the 1930's, when the number of students increased along
with the dramatic growth in the population of the city.
In 1925, at Moshe Hopenko's invitation, the pianist
Leopold Godovsky visited the conservatory. In 1926 Hopenko
invited the violinist Yasha Hefetz, who also donated money for
an auditorium in his name. In 1927 the pianist Arthur Rubinstein
visited Shulamit. In 1930 Yariv Ezrachi performed for Prof.
Albert Einstein and the British High Commissioner, Herbert
Samuel, as a soloist with the Shulamit Orchestra.
Renowned graduates of the Conservatory include: violinists
Itzhak Perlman , Ivri Gitlis, Yifrah Ne'eman, Shimon
Mishori, Yehoshua Epstein, pianists Pnina Salzman
, Varda Nishri, and flutist Yitzhak Buchman.
Celebrated teachers included the composers Paul ben Chaim
and Yoel Engel, violinist and composer Yosef
Acharon, the cellist Thelma Yellin and violinist
Yariv Ezrachi.
The Ron
Conservatory (1938)
Opened in Tel Aviv by famed violinist Yariv Ezrachi, a graduate of
Shulamit. In 1968 he changed the name to Ron Shulamit Conservatory, to honor
Shulamit's legacy after it closed. Among thConservatory's famous students are
violinist Shlomo Mintz, pianist Rami Bar Niv,
and viola player Daniel Binyamini.
The Ron Shulamit
Conservatory in Jerusalem (1972)
In the beginning of the 1970's the gates of the Soviet Union began
to open for the Jews, who joined the growing tide of immigration to Israel after
the victory of the Six-Day War. This influx of population, and the reunification
of Jerusalem, led to an unprecedented wave of construction in the capital, and
entire new neighborhoods were built: Ramat Eshkol, Neve Yaakov, French Hill and
others. Yet, while Jerusalem filled with ever more children, there was only one
music school in the city.
In 1972 Ofra Broshi , Yariv Ezrachi's daughter
and a musician herself, founded two branches of the Ron-Shulamit Conservatory in
Jerusalem. They were opened with the endorsement of Teddy Kollek, Jerusalem's
mayor at the time, and were housed in school buildings in Kiryat Moshe and Ramat
Eshkol. Most of the teachers were new immigrants. Enrollment in the conservatory
reached full capacity almost from the beginning, with students studying a myriad
of musical instruments. In 1980 there were 800 students studying music in the
Jerusalem branches of Ron-Shulamit.
In 1982 the Kiryat Moshe branch relocated to Beit Hakerem, where
it operates to this day and in which 250 children and youth study music and
dance.
The Ron-Shulamit
Conservatory in Har Nof (1988)
The 1980's saw the growth of new neighborhoods for Jerusalem's
ultra-orthodox community, that had until then lived in conditions of poverty and
crowding in the city's older areas. This community had never before had a
professional school for music education. In 1988, the current Director of
Ron-Shulamit, Arieh Chasid (himself an immigrant musician who came to Israel
from Russia in 1973), established a branch of the conservatory in the
neighborhood of Har Nof, that operates within the framework of the
ultra-orthodox life-style.
The new branch brought with it many surprises: the talent
uncovered in this community was astounding. The qualities of self-discipline,
work ethic, humility and high motivation among the ultra-orthodox matched well
with the demands of music study, and Ron-Shulamit rapidly became one of the most
important music institutions in Jerusalem, and on a par with the best in Israel.
Within a few years, the number of students reached over 500, and three
orchestras were formed: Zmora, a professional women's string
orchestra, a student chamber music orchestra and Accordi-Ron, an
accordion orchestra. In addition, the school has a complete ballet school and
boasts music therapy as well as a mainstreaming program that integrates special
needs children and youth into regular music classes. The latest achievement has
been the opening of a Bachelor's Degree program in music education in
collaboration with the Levinsky Teacher's College , one of whose founders was
Mordechai Krishevsky-Ezrachi, the father of Yariv Ezrachi; and thus an esteemed
connection of old has come full cycle and been renewed.
The
effect of Ron-Shulamit upon the neighborhood of Har Nof has led to the
acceptance of music education as an important element in girls' education within
the ultra-orthodox community. More and more families, who initially were far
removed from classical music or dance, have been enrolling their children in
Ron-Shulamit, and concert halls in which our students and teachers perform are
filled to capacity. It has been a true "renaissance". 
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